Thursday, September 6, 2018

Mixter Twizzle's Breakfast, by Regan W.H> Macauley






Mirror World Publishing presents a 1-week book tour for Mixter Twizzle's Breakfast by Written by Regan W.H. Macaulay and Illustrated by Wei Lu!


Follow the book tour here:





About  Mixter Twizzle's Breakfast:

Mixter Twizzle is an odd, red, round-shaped, mischievous creature.  He lives in a hovel, beneath a rustic barn, underneath the chicken coop at Riverdale Farm.  He’s a snoozing sneezer and a snoring barker---a peculiar sort that both annoys and pleases. At first, Mixter Twizzle is thrilled by his egg-gorging fests, delighting in his own wickedness, but he soon realizes he is lonely. He longs for companionship, but the hens will have nothing to do with him. Can this fiendish creature learn to make friends at the farm?

Genre: Children's Picture Book; Fantasy; Friendship

Publish Date: September 3, 2018

Publisher: Mirror World Publishing


Purchase Links:







Meet the Author:


Regan W. H. Macaulay writes novels, short stories, children’s literature, and scripts. Writing is her passion, but she’s also a producer and director of theatre, film, and television. She is an animal-enthusiast as well, which led her to become a Certified Canine (and Feline) Massage Therapist. Other award-winning picture storybooks by Regan W. H. Macaulay include Beverlee Beaz the Brown Burmese, Sloth the Lazy Dragon, and Tamara Turtle’s Life So Far. She is also the author of The Trilogy of Horrifically Half-baked Ham which includes Space Zombies! (based on her film, Space Zombies: 13 Months of Brain-Spinning Mayhem!—available on iTunes and on DVD), They Suck, and Horror at Terror Creek.





Meet the Illustrator:


Wei Lu is an illustrator and graphic designer residing in Toronto. She grew up in China before studying at Nova Scotia’s College of Art and Design. She loves animals and make-believe characters of any kind and can bring them to life with a pencil and paper.





Friday, August 17, 2018

Interview of Nikki Landry, of the Swamp Legend Series




Nikki Landry is the main character of the Nikki Landry Swamp Legend Series, by Rita Monette

Following is an interview of Nikki by Musa Publishing


-So Nikki, what is your biggest fear?

My biggest fear is what might be in that swampy place Papa calls Ghost Dog Island. Does it really have a creature out there that steals dogs? Will it come after my best buddy, Snooper?

-What is your best or worst childhood memory?

Well, that can’t be too long ago, since I’m only ten. But when that gator got after my little brother and my dog tried to save him. That was pretty memorable.

-What would you say is your biggest strength? Weakness?

My biggest strength is that I am a good riddle solver. Just ask anyone.  My biggest weakness is that I get myself in trouble sometimes by not telling the truth.

-What is your biggest pet peeve?

What’s a pet peeve? Is it something like a possum? I’ve never had one of those. I hear they are mean.

-Is honesty always the best policy?

I guess it is, since my Papa gets awful upset with me when I’m not. But sometimes I forget.

-If you were stranded on an island and could only have 3 things (items or people), what would you choose to have and why?

Island? I don’t want to be stranded on no island. I went out there to Ghost Dog Island with my friend, Spikes, and I wouldn’t want to be out there by myself, what with gators, snakes, and mosquitoes. But if I did get stranded, I’d want a flashlight for sure, and my dog, Snooper. A boat wouldn’t be a bad idea either.

To learn more about The Legend of Ghost Dog Island, Nikki, and her friends, go to http://ritamonette.com or http://ritamonette.blogspot.com


Unreachable Skies, by Karen McCreedy





Welcome to the virtual book tour for

Unreachable Skies by Karen McCreedy.





In a world where it is normal to fly, what happens when you can’t?



About Unreachable Skies:



When a plague kills half the Drax population, and leaves the hatchlings of the survivors with a terrible deformity – no wings – suspicion and prejudice follow. Continuously harassed by raids from their traditional enemies, the Koth, the Drax are looking for someone, or something, to blame.



Zarda, an apprentice Fate-seer, is new to her role and unsure of her own abilities; but the death of her teacher sees her summoned by the Drax Prime, Kalis, when his heir, Dru, emerges from his shell without wings.



A vision that Dru will one day defeat the Koth is enough to keep him and the other wingless hatchlings alive – for a time. Half-trained, clumsy, and full of self-doubt, Zarda must train Dru to one day fulfil the destiny she has foreseen for him, even if it is quickly becoming clear that the Prime’s favourite adviser, Fazak, is not only plotting against the wingless, but is gaining more of Kalis’ trust by the day.




Efforts to fight prejudice and superstition are certain to lead to death for some and exile for others; while Zarda’s own journey to understanding her role in events may lead her to abandon all tradition in order to protect her peoples’ future.


Follow the Book Tour:







Book Information:


Genre: Sci-Fi, Fantasy, Adventure - This book is targeted toward a general audience.



Page Count: 242 pages



Publish Date: August 17, 2018 



Publisher: Mirror World Publishing 





Purchase Links:






Review Quotes: 



"In the tradition of Ursula K. LeGuin and Anne McCaffery, with Unreachable Skies Karen McCreedy has created a nuanced alien culture populated by compelling characters." ~ James Swallow, bestselling author



Meet the Author:






Brought up in Staffordshire, England, Karen McCreedy now lives in West Sussex where she recently retired from the University of Chichester. She has written articles on films and British history for a number of British magazines including ‘Yours’, ‘Classic Television’, and ‘Best of British’. 



Karen has had a number of short stories published in various anthologies. She also won second prize in Writers’ News magazine’s ‘Comeuppance’ competition in 2014 with her short story ‘Hero’. 



‘Unreachable Skies’ is her first novel.










Thursday, June 21, 2018

The Ghost in the Garden. A Flower Girl Mystery, by H.L. Carpenter



Welcome the 1-week Virtual Book Tour for The Ghost in the Gardens (A Flower Girl Mystery) by HL Carpenter.

About The Ghost in the Gardens:

Until the first spooky visit, ten year old Chrysantha Howe doesn't think about ghosts. She thinks about plants.

All.

The.

Time.

She has her future planned out, and that future includes plants. Chrys is going to be a plant scientist like her uncle and her favorite teacher, and she's determined to find the very rare Coralroot orchid.
The ghost is not in the plan.
But when her teacher disappears and the police suspect her uncle was involved, Chrys has to figure out what the ghost is trying to tell her—before it's too late.



Follow the Book Tour:




Book Details:

Genre: Middle Grade Paranormal Mystery
Page Count: 152 pages

Publisher: Mirror World Publishing (http://www.mirrorworldpublishing.com/)

Order Links:
Mirror World Publishing:  Ebook  Paperback

Read an Excerpt:

I had the future planned out.

The ghost was not in the plan.

After the first visit, I still didn't really believe in ghosts. But when she came back the second time, I had to change my mind. I hadn't been dreaming and I wasn't crazy. The only other alternative was: I had seen a ghost.

I started researching ghost visitations. What made them stick around in this world? How did they choose who to haunt? Why had no one ever caught a legitimate sighting on video or made a recording?

Mostly what I learned was that people argued a lot about whether ghosts existed. People who believed in ghosts liked other people who believed in ghosts. People who didn't believe in ghosts thought people who did were crazy.

I was not crazy.

Finding out the answers to my questions about ghosts should have been easy. I had my own personal ghost to ask. But every time she visited me, I couldn't say a word. My thoughts got all tangled and my breath stuck in my throat and I got dizzy. Having my own personal ghost was not helpful. The visits were...creepy. Like are-you-here-because-I'm-going-to-die creepy. Maybe the creep factor was why no one had ever documented a ghost.

I shivered, though I hadn't seen the ghost in hours and cheerful sunlight warmed the early June morning. The Water Garden, a magical green fairyland of trickling streams and arched bridges, closed in around me. Shadows shifted. Bushes rustled.

I'd never seen a ghost before, not even when my dad died. Why had one decided to haunt me now?

"Just lucky, I guess," I said. "What do you think, Barkley?"

My long-legged Schnauzer scratched his ear with his hind foot.

"That's what I think too."

I tugged Barkley's ear and picked up one of the quarter-size flat stones scattered beside the path. I tossed the stone into the deep end of the Water Garden pond.

Barkley scrambled to the bank, then yipped and jumped back, almost jerking the leash from my hand. The ruff on his neck rose straight up. He stared at the pond, his lips curled, his teeth bared.

I gripped the red plastic leash more tightly.

The ghost liked water.

Barkley growled.

In the pond, twin black shafts of water shifted into the wavy outline of feminine eyes. Pale lips, reed-thin and white as unearthed slugs, parted. The lips tried to form a word. A gurgle rose from the depths like a deep sigh.

"Daaaaay...daaaay..."

Bubbles roiled the surface of the water.

Barkley growled again. Then he barked, as if to prove the ghost hadn't silenced him.

I tried to speak, to ask the ghost what she wanted. My tongue clung to the roof of my mouth. My lips moved in a quivery jiggle as if I were silently whistling. But I could not force out a sound, much less a whole question.

Maybe if I could think a question, the ghost and I could communicate. Maybe she didn't need actual words to hear me and to answer.

I tipped forward. My glasses slipped down my nose. I wanted to ask her...something...something...important...

What would touching her feel like?

I stretched out my hand.

Meet the Author:


Florida-based mother/daughter author duo HL Carpenter writes family-friendly fiction. The Carpenters write from their studios in Carpenter Country, a magical place that, like their stories, is unreal but not untrue. When they’re not writing, the Carpenters enjoy exploring the Land of What-If and practicing the fine art of Curiosity. Visit HLCarpenter.com to enjoy gift reads and excerpts and to find out what’s happening in Carpenter Country.

Connect with HL Carpenter:





Saturday, May 19, 2018

The Importance of Voice in Writing Fiction, by Rita Monette




What is Voice?

by Rita Monette


You may have heard the term voice in writing. However, there are two types of voice in writing fiction. 

One is the voice of the author: How you write and express yourself, tell their stories. That usually comes natural and develops over time.

Another important voice is that of the characters in your story.  Everyone has a unique way of speaking, and giving a strong voice to your characters helps bring them to life. 

To some, character voice comes easy, yet others may struggle with it. Here are a few things to remember when deciding on a voice for your character.

  1. Where are they from? Most regions have a certain dialect. Listen to someone speak from that area and try to mimic their speech pattern.
  1. How old is your character? It’s pretty obvious that someone that is ten years old will have a different way of speaking than say a fifty-year-old.
  1. When does your story take place? Look up words and phrases used during that period.
  1. What is their world view? Does your character have some background issues that fill him or her with sarcasm? Are they optimistic about everything, overly religious, or just plain grumpy/annoying?
  1. Still having problems? Trying interviewing your character and let them tell you about themselves.

And in all of the above, use in moderation. You don’t want to overdo dialects to the point where the reader gets frustrated trying to read it. 

Point of View in Using Voice.

An important rule is to know when you should use your character’s voice or your author’s voice.

If you are writing in first person, every word should be in the narrating character’s voice, except those that are in the dialog of a different character. 

In limited third person narration, the point of view character will usually carry the voice. 

In omniscient point of view, the author’s voice will narrate the story except during dialog. 

The Character Voice in my Series.

In my middle-grade series, The Nikki Landry Swamp Legends, writing in first person, the main character, Nikki, is a young girl growing up in the bayous of Louisiana in the fifties. She lives a simple life, doesn’t care much for school, and would rather be fishing with her Cajun French-speaking papa, or looking for clues to some swamp legend. Proper English is not her strong point. Taking all these things into consideration, I found my way into Nikki’s head.

Her friends, on the other hand, needed to have unique voices of their own. We can’t have them all speaking the same way. Patti is always prim and proper, and tries hopelessly to keep Nikki on the right track, while Spikes uses language typical of fifties’ teens. Together they are the legend busters and each contributes their own “voice” to every conversation.

Here is an excerpt from the Mystery on Lost Lagoon, which includes examples of their voices:

The August air was steamier than a pot of boiled crawfish. Tiny bugs danced like fairies on the gumbo-colored bayou. Cypress trees on a nearby swamp island dipped their moss-draped branches into the still water, trying to stay cool. 
I had been sitting in my new tree house for days trying to catch a cool breeze, and pondering on how to turn a plain old fort into an official club house, when I decided what it needed most of all was furniture. My friend Spikes had come over to help me build some. He was pretty good with tools.
“I saw that strange bird again.” Spikes stood beside me with a hammer in his hand.
“What bird?” I asked, busy with trying to arrange some old boards in the shape of a table, just before they collapsed into a heap. “Drats!” I folded my arms in front of me.
 “You have to lay them on the floor, Tomboy,” he said. “We need to nail them together first.”
“So you have to build it upside down?” I wiped the sweat off my brow with the back of my hand.
Spikes’ real name was Spencer Sikes, but I’d never heard nobody call him that ’cept for his grandpa. He was twelve years old, a whole year and a half older than me. I couldn’t imagine being almost a teenager. Me and him argued a lot, but we always stayed friends. He told me once he only liked me ’cause I wasn’t like other girls, and could climb trees and didn’t mind getting dirty. He sometimes called me Tomboy instead of my real name, Nikki.
He grinned, showing his broken front tooth. “Yeah.”
“We need some nails.”
He reached into his pocket and pulled out a handful of bent nails. “I was over at my grandpa’s yesterday. We took a boat ride out to Flat Lake, and I saw it flying around Pelican Pass, see.”
“Saw what?”

“The bird.” He sounded annoyed. “You know, the one that makes that screeching sound. The same one we saw over in Mossy Swamp.” He sat on the floor and began straightening the nails by laying ’em on their sides and tapping with his hammer.

Friday, April 13, 2018

First Pages in Writing, by Rita Monette

First Pages 
in Writing


by  Rita Monette




How important are the opening pages of your novel? VERY important. 

First of all, you must keep in mind that busy agents and publishers will usually judge your writing and your book by the first few pages, and oftentimes by page one! 

Also, readers, who might be grabbed by your title, tagline, and your cover blurb, still will judge whether they want to continue to read on by the first chapter, or even the first page. So you’d better work really hard at getting it right.

How do you do that? you might ask. Well here are some well-worn tips to accomplish that.

Prologue or no prologue…that’s a good question.

Although there are quite a few great books on the market that use prologues to introduce their novel, many experts agree, that a good rule of thumb is to leave it off. 

Instead of telling the reader your character’s background and motivations, use your writing skills to weave that information in, letting your reader figure it out. 

I’ve been told most readers don’t bother to read prologues anyway. I know I don’t like them. I usually want to jump right into reading the story. So just jump right in writing it. But where DO we start?

Tension is the key.

Every movie-goer knows that the first scene of a film usually begins with a huge car crash, guns blazing, or a murder... then jumps back to why on earth all this went on. Many books begin this way also. But wild action isn’t always the key. Most times it’s tension.

On page one, feed the reader some intriguing questions they will surely want the answers to. What is your character doing, saying, observing, or thinking that makes the reader want to know what’s going to happen next, or what the character plans to do about the situation at hand?

The Character.

The reader will want to know something about your main character. What is he about? What does he want? Is he relatable or liked enough for them to want to know more and to invest the next few hours of their time in. What is he doing in that first scene that tells us something about his personality, his ambitions, his goals? First impressions count. 

The Setting.

Give the reader an idea of the setting on that first page also. Where is your character? Is the time period important? What is the season? Is it hot, cold? Don’t let the reader have to figure that out as he reads along.
The Hook.

This seems like a lot to cram into a first page, but you want to draw the reader in from the very start. It’s called the “hook.”

Sometimes it takes many re-writes to get those elements in effectively. 

Feedback. 

Get an honest opinion from a person or persons…typically not your mother or spouse. Join a critique group or a group like Critique Circle.